巫鸿先生著作目录（截止至2010年）

这是我的著作目录。很对不起是英文，以后应该做成中英对照（有不少书和文章已经翻译，可以参考翻译的题目）。也许哪位年轻朋友愿意做此事。书单分成两部分：古代和现当代，以便查询。但是有的书，如《美术史十议》就很难放。先这样吧。再不断推敲。                                                                                   巫鸿

Publications: 

Pre-Modern: 

Books, edited volumes, and catalogues (*single authored books and collection of papers): 

2010 editor, Reinventing the Past: Archaism and Antiquarianism in Chinese Art and Visual Culture (Chicago: Art Media Resources, 2010). 

*2010 author, Art of the Yellow Spring: Rethinking Chinese Tombs (London and Honolulu: Reaktion Books and Hawaii University Press, 2010). 

*2009 author, Shikong zhong de meishu (Art in time and space)(Beijing: Sanlian, 2009) 

*2008 author, Meishushi shiyi (Ten discourses on art history), Beijing: Sanlian chubanshe (in Chinese). 

2006 co-author, Chinese Sculpture. New Haven and Beijing: Yale University Press and China Foreign Languages Press. 

2005 “Immortal Mountains in Chinese Art,” in Wang Wusheng: Celestial Realm: The Yellow Mountains of China (New York: Abbeville Press, 2005), 17-39. 

2005 co-editor, Body and Face in Chinese Visual Culture. Cambridge: Mass.: Harvard University East Asian Publication. 

*2005 author, Liyi zhongde meishu (Art in its ritual context), 2 vols., Beijing: Sanlian shudian. 

2003 editor, Between Han and Tang: Visual and Material Culture in a Transformative Period. Beijing: Wenwu Publishing House. (Chinese and English). 

2001 editor, Between Han and Tang: Artistic and Cultural Interactions in a Transformative Period. Beijing: Wenwu Publishing House. (Chinese and English). 

2000 editor, Between Han and Tang: Religious Art and Archaeology in a Transformative Period, Beijing: Wenwu Publishing House. (Chinese and English) 

1997 co-author, 3000 Years of Chinese Painting. New Haven and Beijing: Yale University Press and China Foreign Languages Press. A Chinese version of the book, published by the same publishers in 1997, is entitled Zhongguo huihua sanqiannian. 

*1996 author, The Double Screen: Medium and Representation in Chinese Painting. 2 versions are published by Reaktion Books in London and University of Chicago Press in the U.S. 

*1995 author, Monumentality in Early Chinese Art and Architecture. Stanford: Stanford University Press. 

1990 co-author, Chinese Jades from the Mu-Fei Collection. London: Bluett & Sons. 

*1989 author, The Wu Liang Shrine: The Ideology of Early Chinese Pictorial Art. Stanford: Stanford University Press. Chinese translation: Wu Liang Ci: Zhongguo gudai huaxiang yishu de sixiangxing, trans. Liu Yang and Can He. Beijing: Sanlian shudian, 2006. 

1987 co-author, Stories from China's Past: Han Art from Sichuan. San Francisco: Chinese Cultural Foundation. 

1982 co-author, Zhongguo gudai duliangheng tulu (An illustrated catalogue of weights and measures from ancient China). Beijing: Wenwu chubanshe. 

Articles: 

2010 “Ji: Traces in Chinese Landscape and Landscape Art,” Cahiers d’Extreme-Asie 17(2008): 167-192. (This issue is actually published in 2010.) 

2009 “Enlivening the Soul in Chinese Tombs,” in Res 55/56 (Autumn 2009), special issue on “Absconding,” 21-41. 

2009 “Rethinking East Asian Tombs: A Methodological Proposal,” ed. Elizabeth Cropper, Dialogues in Art History, from Mesopotamian to Modern (Washington, D. C., Center for Advance Study in the Visual Arts), pp. 139-166. 

2007 “Picturing or Diagramming the Universe,” in Francesca Bray, Vera Dorofeeva-Lichtmann, and George Métailié, eds., Graphics and Text in the Production of Technical Knowledge in China (Laden: Brill, 2007), pp.191-216. 

2006 “Mingqi de lilun he shijian---Zhanguo shiqi liyi meishu zhong de guannianhua qingxiang (The Theory and Practice of “Spirit Vessels” --A Conceptual Tendency in Warring States Ritual Art), Wenwu 2006(6): 72-81. 

2005 “On Tomb Figurines -- The Beginning of a Visual Tradition,” in Wu Hung and Katherine Mino, ed., Body and Face in Chinese Visual Culture. 

2004 “Huihua de ‘wushiwuzhixing’”(“Historical materiality” of painting), Yishushi yanjiu (The Study of Art History), pp. 1-5. 

2004 “Dunhuang 323 ku yu chu Tang fojiao” (Dunhuang Cave 323 and Early Tang Buddhism),in Sarah Fraser, ed., Tang Song de fojiao yu shehui: Siyuan caifu yu shisu gongyang (Merit, Opulence, and the Buddhist Network of Wealth). 

2003 “The Admonitions Scroll Revisited: Iconology, Narratology, Style, Dating,” in Shane McCausland, ed., Gu Kaizhi and the Admonitions Scroll. Londong: British Museum Press, 2003, pp. 89-99. 

2003 “Monumentality of Time: Giant Clocks, the Drum Tower, the Clock Tower,” in Robert S. Nelson and Margaret Olin, eds., Monuments and Memory: Made and Unmade, Chicago: University of Chicago Press, 2003, pp. 107-32. 

2003 “On Rubbings – Their Materiality and Historicity,” in Judith Zeitlin and Lydia Liu, ed., Writing and Materiality in China. Cambridge, Mass.: Harvard University East Asian Publication, pp. 29-72. 

2002 “What is Dunhuang Art?” in Annette L. Juliano and Judith A. Lerner, Nomads, Traders and Holy Men Along China’s Silk Road, Silk road Studies VII, BREPOLS, pp. 7-10. 

2002 “Zhang Guangzhishi, Hafo, he wo – huainian Zhangguangzhi xiansheng” (My teacher K. C. Chang, Harvard, and I), in Sihai weijia – zhuinian kaoguxuejia Zhang Guangzhi (The world is home: In memory of archaeologist K. C. Zhang), Beijing: Sanlian shudian, pp. 227-36. 

2002 “A Case of Cultural Interaction: House-shaped Sarcophagi of the Northern Dynasties,” Orientations 34.5 (May 2002), pp. 34-41. 

2002 “A Deity Without Form: The Earliest Representation of Laozi and the Concept of Wei in Chinese Ritual Art,” Orientations 34.4 (April 2002), pp. 38-45. 

2001 "Rethinking Warring States Cities: A Historical and Methodological Proposal," Journal of East Asian Archaeology, vol. 3, no.1-2. Brill Academic Publishing. Leiden, the Netherland, pp. 237-58. 

2000 “Mapping Early Daoist Art: The Visual Culture of Wudoumi Dao,” in S. Little, ed. Taoism and the Arts of China, Chicago: The Art Institute of Chicago. pp. 77-93. 

2000 “Diyu kaogu yu dui Wudoumi Dao meishu chuantong di chonggou” (Religional archaeology and a reconstruction of the art tradition of Wudoumi Dao), in Wu Hung, ed. Between Han and Tang: Religious Art and Archaeology in a Transformative Period, Beijing: Wenwu Publishing House, pp. 431-55. 

2000 “Han hua dufa” (Toward a methodology in reading Han pictorial art), in Peking University Research Center of Traditional Chinese Culture, Wenhua de kuizeng – Hanxue yanjiu guji huiyi lunwenji (Cultural gifts – Papers presented in an international conference on sinology). Beijing: Peking University Press), pp. 188-91. 

1999 "The Art and Architecture of the Warring States Period," in Michael Loewe and Edward Shaughnessy, ed., Cambridge History of Ancient China. Cambridge University Press. pp. 651-744. 

1999 “Handai kaogu meishu zhong de daojiao yinsu” (Daoist elements in Han dynasty art and archaeology)，in Minoru Senda, ed., Daoism in East Asian Culture (Kyoto: International Research Center for Japanese Studies, 1999), pp. 9-39. 

1998-99 “A Response of Robert Bagley’s Review of my book, Monumentality in Early Chinese Art and Architecture,” Archive of Asian Art 51, pp. 92-102. 

1998 (with Ning Qiang), "Paradise Images in Early Chinese Art," in J. Baker, ed. The Flowring of a Foreign Faith: New Studies in Chinese Buddhist Art. Munbai: Marg Publications. 1998. pp. 54-67. 

1998 "Where Are They Going? Where Did They Come From? -- Chariots in Ancient Chinese Tomb Art," Orientations 29.6 (June), pp. 22-31. 

1998 "Realities of Life After Death: Constructing a Posthumous World in Funerary Art," in Guggenheim Museum, China: 5000 Years. New York: Guggenheim Suem, 1998, pp. 103-113. 

1997 "All About the Eyes: Two Groups of Sculptures from the Sanxingdui Culture," Orientations vol 28, no.8 (September 1997), pp. 58-66. 

1997 "The Prince of Jade Revisited: Material Symbolism of Jade as Observed in the Mencheng Tombs," in Chinese Jades, Colloquies on Art and Archaeology in Asia no. 18, ed. Rosemary E. Scott, London: Percival David Foundation of Chinese Art, pp. 147-70. 

1997 "Beyond Stereotypes: The Twelve Beauties in Qing Court Art and The Dream of the Red Chamber." in E. Widmer and K. I. S. Chang, ed., Ming Qing Women and Literature. Stanford: Stanford University Press. 

1997 “Meishushi yanjiu lueshuo” (Brief notes on art history), Dongnan wenhua, 1997, 1, pp. 103-106. 

1996 "East Asian Art and Architecture from 700 BC to 700 AD," in J. Herrmann and E. Zürcher, History of Humanity: Scientific and Cultural Development, vol. 3 (UNESCO), pp. 101-4. 

1996 "Rethiking Liu Sahe: The Creation of a Buddhist Saint and the Invention of a 'Miraculous Image',” Orientations vol. 27, no. 10 (November 1996), pp. 32-43. 

1996 "The Painted Screen," Critical Inquiry vol. 23, no. 1 (Autumn 1996), pp. 37-79. 

1996 "Images and Concepts of Paradise in Han Art," Lishi wenwu (Bulletin of the National Museum of History, Taibei), vol. 6, no. 4 (August 1996), pp. 6-25. (in Chinese) 

1996 "Screen Images: Three Modes of 'Painting-within-Painting" in Chinese art," In Arts of the Sung and Yüan. New York: Department of Asian Art, The Metropolitan Museum of Art, pp. 319-37. 

1995 "Picturing Heaven in Second-Century China," The Smart Museum of Art Bulletin 1994-1995, University of Chicago, pp. 2-15. 

1995 "Private Love and Public Duty: Children's Images in Early Chinese Art," in A. B. Kinney, ed., Chinese Views of Chidhood. Honolulu: University of Hawaii Press, pp. 79-110. 

1995 "Emperor's Masquerade: 'Costume Portraits' of Yongzheng and Qianlong," Orientations 26.7 (July and August, 1995), pp. 25-41. 

1994 "Beyond the Great Boundary: Funerary Narrative in Early Chinese Art," in J, Hay, ed., Boundaries in China. London: Reaktion Books, pp. 81-104. 

1994 "The Transparent Stone: Inverted Vision and Binary Imagery in Medieval Chinese Art," Representations 46, pp. 58-86. 

1994 "Three Famous Stone Monuments from Luoyang: 'Binary' Imagery in Early Sixth Century Chinese Pictorial Art," Orientations 20.5, pp.51-60. 

1994 "Western and Japanese Scholarship on Han Pictorial Art in the Past 100 Years," Zhongyuan wenwu (Relics from central Plain), no.1, pp. 45-50. (in Chinese). 

1992 "Art in its Ritual Context: Rethinking Mawangdui," Early China 17, pp. 111-145. 

1992 "What is Bianxiang? -- On the Relationship between Dunhuang Art and Dunhuang Literature," Harvard Journal of Asiatic Studies 52.1, pp. 111-92. 

1992 "Reborn in Paradise: A Case Study of Dunhuang Sutra Painting and its Religious, Ritual, and Artistic Contexts," Orientations 23.5, pp. 52-60. 

1990 "The Art of Xuzhou: A Regional Approach," Orientations 21.10, pp. 40-59. 

1990 "The Great Beginning: Ancient Chinese Jades and the Origin of Ritual Art," in Chinese Jades from the Mu-Fei Collection. 

1989 "The Ritual Reforms of Emperor Han Ming and Emperor Wei Wen and the Rise and Fall of Early Chinese Tomb Art," Chinese Culture Quarterly 3.2, pp. 31-45. (in Chinese) 

1989 "The Shift of Religious Centers from Shang to Han and its Impact on the Development of Visual Art," in Yu Weichao, ed., An Anthology Celebrating Professor Su Bingqi's 55 Years of Archaeological Research. Beijing: Wenwu chubanshe, pp. 98-111. (in Chinese) 

1988 "From Temple to Tomb: Ancient Chinese Art and Religion in Transition," Early China 13, pp. 78-115. 

1987 "The Earliest Pictorial Representations of Ape Tales -- An Interdisciplinary Study of Early Chinese Narrative Art and Literature," T'oung Pao LXXIIL 1-3, pp. 86-111. 

1987 "Myth and Legend in Han Pictorial Art -- A Structural Analysis of Bas-reliegs from Sichuan," in Stories from China's Past, pp. 72-81. 

1987 "Xiwang Mu, the Queen Mother of the West," Orientations (April), pp. 24-33. 

1987 "A Study of Ancient cultures of the Shandong Region, in Light of Geographical Distribution and Topographical Changes," in Su Bingqi, ed., An Anthology of Chinese Archaeological and Cultural Studies. Beijing: Wenwu chubanshe. (in Chinese). 

1986 "Buddhist Elements in Early Chinese Art (2nd and 3rd century AD)," Artibus Asiae 47.3/4, pp. 263-347. 

1986 "Tradition and Innovation -- Ancient Chinese Jades in the Gerald Godfrey Collection," Orientations 17.11: 36-45. 

1985 "Bird Motifs in Eastern Yi Art," Orientations 19-10, pp. 30-41. 

1984 "A Sanpan Shan Chariot Ornament and the Xiangrui Design in Western Han Art," Archives of Asian Art, XXXVLL, pp. 38-59. 

1979 "On the Shape and Decoration of Bronzes from Mausoleums of the Zhongshan Kingdom," Wenwu 5, pp 46-50 (in Chinese). An English abstract of this article is in A. Dien, J. Riegel, and N. Price, Chinese Archaeological Abstracts vol.3. Los Angeles: The Institute of Archaeology, University of California, 1985, pp. 1083-87. 

1979 "A Group of Stone and Jade Carvings," Meishu yanjiu no. 1. (in Chinese) 

1979 "A Comprehensive Study of Weights of the Qin Dynasty," Palace Museum Journal 4, pp. 33-47. (in Chinese) 

1978 "On Yachou Bronzes and Ancient Yachou Kingdom," Restricted Publication of the Palace Museum. (in Chinese) 

Modern and contemporary: 

Books, edited volumes, and exhibition catalogues (*single authored books and collections of papers): 

2010 editor, Contemporary Chinese Art: Primary Texts (New York, MoMA publication, 2010). 

2010 author and editor, Summer: New Paintings by Zeng Hao (Beijing: Beijing Art Center, 23010) 

2009 author and editor, Waste Not: Zhao Xiangyuan and Song Dong (Tokyo: Tokyo Gallery). This book will accompany an exhibition at MoMA, New York in 2009. 

2009 author and editor, Zhang Xiaotao: Weiguan xushi (Zhang Xiaotao: Microscopic Narrative), (Chengdu: Sichuan meishu chubanshe, 2009) 

2009 author, Zhang Huan gongzuoshi: Yishu yu laodong (The Zhang Huan studio: Art and labor), (Guilin: Guangxi shifan daxue chubanshe, 2009). 

*2009 author, Wu Hung on Contemporary Chinese Artists (Hong Kong: Timezong8, 2009) 

2008 With J. McGrath and S. Smith, Displacement: The Three Gorges Dam and Contemporary Chinese Art, Chicago: Smart Museum of Art, 2008. 

*2008 author, Zou ziji de lu: Wu Hong lun zhongguo dangdai yishujia (On their own paths: Wu Hung on contemporary Chinese artists), Guangzhou: Ling’nan meishu chubanshe.(in Chinese) 

*2008 author, Making History: Wu Hung on Contemporary Chinese Art and Art Exhibition (Hong Kong: Timezone8, 2008) 

2008 author and editor, Yan: Shi Jinsong xinzuo zhan (Fire his breath, jade his bones: New work by Shi Jinsong), Platform China, Beijing. 

2008 co-author and co-editor, with Feng Boyi, Microscopi Narration: Social Images by Zhang Xiaotao and Li Yifan (Beijing: Iberia Center for Contemporary Art) 

2008 author, Portraying Food (and the Absence of It) (Chicago: Walsh Gallery, 2008) 

2007 author, Xia Xiaowan (Beijing: Aye Gallery, 2007) 

2007 editor and curator, Shen Shaomin: Between Heaven and Earth (Beijing: Tang Contemporary Art, 2007) 

2007 co-editor, New Photo: Ten Years, Hong Kong: Timezone8. 

2007 author, Mo Yi: My Neighborhood, Chicago: Walsh Gallery. 

2006 Editor, Shu-Reinventing Books in Contemporary Chinese Art, New York: China Institute Gallery. 

2006 author and editor, Xu Bing: Yancao jihua (Xu Bing: Tobacco project), Beijing: Renmin daxue chubanshe. 

2006 author, Zhang Dali: A Second History, Chicago: Walsh Gallery. 

*2005 author, Zuopin yu zhanchang: Wu Hong lun dangdai Zhongguo yishu (Art and exhibition: Wu Hung on contemporary Chinese art), Guangzhou: Lingnan meishu chubanshe. 

*2005 author, Remaking Beijing: Tianmen Square and the Creation of Political Space. London and Chicago: Reaktion Books and University of Chicago Press. 

2005 author, Miao Xiaochun: The Last Judgement, Chicago: Walsh Gallery. 

2004 author, Phantasmagoria: Recent Photographs by Miao Xiaochun, Chicago: Walsh Gallery, 2004. 

2004, author, Rong Rong and inri: Tui-Transfiguration. Beijing and Hong Kong: Timezone 8, 2004. 

2004, co-author, with Christopher Philips, Between Past and Future: New Chinese Photography and Video. New York and Chicago: International Center of Photography and Smart Museum of Art, 2004. 

2004, co-editor, (with Wang Huangsheng), Didian yu moshi: Dangdai yishu zhanlan de fansi yu chuangxin (Place and model: Rethinking and reinventing contemporary art exhibitions), Guilin: Guanxi shifan daxue chubanshe). 

*2003 author, Rong Rong’s East Village. New York: Chambers Fine Arts. 

2002 chief editor, Reinterpretation: A Decade of Experimental Chinese Art, 1990-2000. Guangzhou: Guangdong Museum of Art, 2002. 

2001 editor, Chinese Art at the Crossroads: Between Past and Present, Between East and West. Hong Kong: New Art Medium, 2001. 

*2000 author, Exhibiting Experimental Art in China. Chicago: Smart Museum of Art, the University of Chicago. 

2000 editor, special issue on exhibitions and curatorial practices, Chinese Type Contemporary Art Magazine (Chinese-art.com), vol. 3, issue 5. 

*1999 author, Transience: Chinese Experimental Art at the End of the 20th Century. Chicago: Smart Museum of Art, University of Chicago. 

1997 co-editor, Hong Kong: Place and Formula, special issue of Public Culture, May. 

Articles: 

2009 “The Three Gorges Dam and Contemporary Chinese Art,” Orientations 40.1 (January/Febrary 2009), pp. 67-73. 

2008 “A Case of Being ‘Contemporary’ -- Conditions, Spheres, and Narratives of Contemporary Chinese Art,” in Terry Smith, Okwui Enwezor, and Nancy Condee, eds, Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity. Duke University Press, pp. 290-308. 

2008 “Television in Contemporary Chinese Art,” October 126 (summer 2008), 65-90. 

2005 “Gu Wenda Tangshi houzhu de ‘jinianbei xing’ he ‘fan jinianbei xing’” (Monumentality and anti-monumentality in Wenda Gu’s Forest of Stone Steles), in Wenhua fanyi: Gu Wenda Beilin – Tangshi houzhu (Cultural translation: Wenda Gu’s Forest of Stone Steles – Retranslation and Rewriting of Tang poetry), Guangzhou: Lingnan chubanshe, 2005, pp. 294-301. An English version of the article (translated by Mao Weidong) is in Yishu, December 2005, 51-58. 

2005 “Once Again, Painting as Model: Reflections on Cai Guo-qiang’s Gunpowder Painting,” in Cai Guo-Qiang: Fuegos Artificiales Negros on Black Fireworks, Institut Valencia d’Art Modern, 2005, pp. 52-73. 

2005 “Neizai de shikong” (Interior time/space), in Zeng Hao, Shenzhen, He Xiangning Art Museum, 2005, pp. 20-23. 

2005 “Phantasmagoria: Recent Photographs by Miao Xiaochun,” Yishu: Journal of Contemporary Chinese Art, September 2005, pp. 73-89. 

2005 “Negotiating Beauty in Contemporary Art – An Exhibition” (English and German), in Uber Schoneheit (About Beauty), Berlin: Haus der Kulturen der Welt, 2005, pp. 18-39 

2004 “Kongjian de xushi: Sange “shijianxing” zhanlan de cehua” (Narration through Space: Curating three “temporal” exhibitions), Dangdai yishujia zhi yan, December 2004, Museum of Contemporary Art, Taipei, 47-69. 

2004 “Refashioning ‘Water and Ink’: On Materiality in Contemporary Chinese Art,” in Rethinking of Orientalness in Visual Art, East-West Interculture Comparative Studies III. Seoul: Korean National Commission for UNESCO, Gwangju Biennale Foundation, Seoul National University, and Society of Contemporary Art Scient, 2004, pp. 141-56. 

2004 “Yancao jihua” (Tobacco project), Yishu shijie (Art world), no, 172 (September 2004), p. 66. 

2004 “Tui-Transfiguration: An Experimental Exhibition at Factory 798,” in Huang Rui ed., pp. Beijing 798: Reflections on Art, Architecture and Society in China (Beijing: Timezone 8, 2004), pp. 58-69. 

2004 “Intersection: An Exhibition of Contemporary Chinese Photography and Oil Painting,” in Wu Hung, Intersection: Contemporary Oil Painting and Photography. New York: Chambers Fine Arts, pp. 6-17. 

2004 “Between Past and Future: A Short History of Contemporary Chinese Photography,” in Wu Hung and Christopher, Between Past and Future: New Photography and Video from China,” Yishu: Journal of Contemporary Chinese Art. New York and Chicago: International Center of Photography and Smart Museum of Art, pp. 11-36. 

2004 “About Between Past and Future: New Photography and Video from China,” Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 5-14. 

2003 “Contemporaneity in Experimental Chinese Photography,” in Tina Yapelli, ed., Zooming into Focus: Contemporary Chinese Photography and Video from the Haudenschild Collection. San Diego: University Art Gallery, San Diego State University, 2003, pp. 15-17. 

2003 “‘Shijing’ houxiandai” (“Vernacular” Post-Modern), Dushu 288 (March 2003), pp. 85-90. 

2003 “Three Persistent Individualists,” Art AsiaPacific 37, 2003, pp. 91-93. 

2002 "Preface to Beijing Afloat,” in Beijing Aflot: Beijing-Tokyo Art Projects Opening Exhibition, Beijing: Beijing-Tokyo Art Projects. pp. 8-12. 

2002 "A 'Domestic Turn": Chinese Experimental Art in the 1990s," Yishu 1.3 (November 2002), pp. 3-17. 

2002 "Contesting Global/Local: Chinese Experimental Art in the 1990s," Orientations 33.9 (November, 2002), pp. 62-67. 

2002 "'Experimental Exhibitions' of the 1990s," in Reinterpretation: A Decade of Experimental Chinese Art, 1990-2000. Guangzhou: Guangdong Museum of Art, 2002, pp. 83-97. 

2002 “’Vernacular’ Post-Modern: The Art of Song Dong and Yin Xiuzhen,” in Song Dong and Yin Xiuzhen: Chopsticks. New York: Chambers Fine Arts, pp. 9-23. 

2002 “Mapping Contemporaneity in Asia-Pacific Art,” 2002 Asia-Pacific Triennial, Queensland, Australia. 

2002 “Variations of Ink: A Dialogue with Zhang Yanyuan,” introduction to the exhibition catalogue, Variations of Ink: Abstract Paintings of Five Chinese Artists, New York: Chamber Fine Arts. 

2002 "Ruins as Autogiography: Chinese Photographer Rong Rong," Persommon - Asian Literature, Arts, and Culture vol. II, no. 3 (Winter 2002), 36-47. 

2001 “Photographing Deformity: Liu Zheng and His Photographic Series My Countrymen,” Public Culture, vol.13, no.3, pp. 399-428. 

2000 “The 2000 Shanghai Biennale: The Making of a Historical Event”, Art AsiaPacific 31, pp. 42-49. 

2001 “Beyond Porlarities: The Art of Xu Jiang and Shi Hui,” in Xu Jiang and Shi Hui, Chicago: Columbia Collage, 2001. 

2001 “Guanjian zaiyu shiyan: Tan 90 niandai de dalu shiyan yishu” (Experiment is the key: On Chinese experimental art of the 90s), Diancang (Art and collection), 102 (March), pp. 76-81. 

2001 “Rong Rong and His Ruin Pictures,” in Rong Rong and His Ruin Pictures, New York: Cambers Art Gallery. 

2001 “Das Gesicht der Autoritaet: Maos Portraet am Tiananmen,” in Helga Glaeser, ed., Blick Macht Gesicht. Berlin: Karlsgartenstr. pp. 70-104. 

2001 “Xu Bing: Dui meiti he shijue jishu de shiyan” (Xu Bing: Experimenting art medium and visual tichniqu), Diancang. Jin meishu (Art & collection. contemporary art), no. 105(June 2001), 38-46. 

2001 “Reading Mu Xin: An Exile without a Past,” in Art of Mu Xin: Landscape Paintings and Prison Notes, Yale University Art Museum and Smart Museum of Art, University of Chicago, pp. 40-47. 

2000 “Zhang Dali’s Dialogue: Conversation with a City,” Public Culture 12.3, pp. 749-68. 

2000 “Experimental Art and Experimental Exhibitions: A Roundtable Discussion on Exhibitions and Curatorial Practices,” in Wu Hung, ed., special issue on exhibitions and curatorial practices, Chinese Type Contemporary Art Magazine (Chinese-art.com), issue 5. 

2000 “Exhibiting Experimental Art in China,” in Wu Hung ed., special issue on exhibitions and curatorial practices, Chinese Type Contemporary Art Magazine (Chinese-art.com), issue 5. 

2000 Introduction to Lu Shengzhong: First Encounter, New York: Chambers Fine Art. 

2000 “Zhan Wang de yishu shiyan” (Zhan Wang’s artistic experiment), Meishu jie (Artscircle), 2000, no. 3 (May and June), pp. 18-27. (in Chinese) 

2000 “A Chinese Dream by Wang Jin,” Public Culture 12.1, pp. 74-92. 

1999 “Do We Still Need Our Likeness?” Reflection 2000, University of Chicago on-line publication, Dec. 8, 1999. (http://adminet.uchicago.edu/millennium/hung) 

1998 "Ruins, Fragmentation, and the Chinese Modern/Postmodern," in Gao Minglu, ed., Inside Out: China's New Art (New York and San Francisco), pp. 59-66. Reprint in Zoya Kocur and Simon Leung, Theory and Contemporary Art Since 1945, Malden, Mass., Blackwell, 2004, pp. 309-17. A Chinese translation of this article is in Qingxiang (Tendency), 12 (1999. 12), pp. 77-86. 

1997 "The Hong Kong Clock -- Public Time-Telling and Political Time/Space," Public Culture 1997, 9:329-354. 

1997 "'Hong Kong . 1997' -- T-shirt Designs by Zhang Hongtu," Public Culture 1997. 9: 417-421. 

1995 "Once More, Painting from Photos," in Ackbar Abbas, Chen Danqing: Painting After Tiananmen. Hong Kong: Hong Kong University, 1995. 

1994 "A Ghost Rebellion: Xu Bing and his Nonsense Writing," Public Culture 13(1994), pp. 411-18. 

1991 "Tiananmen Square: A Political History of Monuments," Representations 35, pp. 84-117. 

1987 "On 'Secret Messages' in Modern Chinese Art," Chinese Culture Quarterly 2.3, pp. 107-113. (in Chinese)

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